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Post by AdmiralKyrd on May 13, 2015 19:20:45 GMT
The Bolton's storyline has had quite a few parallels, and I quite enjoy them. Ned/Jon and Roose/Ramsay, the scene where Roose tells Ramsay about his mother with the Shireen-Stannis scene. Yes, but where did that story go? Nowhere. We started with the assumption that Ramsay would fight Stannis to maintain their hold on the North, and we ended on that point of Ramsay agreeing to something that was obviously an already a foregone conclusion. The only parts of Winterfell that really moved in all 18 minutes of that story were: The introduction of Chekov's candle Sansa being introduced to the existence of Theon Theon telling Sansa he killed her brothers. Introduction of Myranda as more than just a background character. Winterfell for the episode was about 70% filler. You might have liked the interactions, but they didn't serve the purpose of good storytelling. There are ways to intertwine the two together so we have interesting interactions but also drive the plot. That's what good writing is.
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Post by Deleted on May 13, 2015 19:26:23 GMT
The Bolton's storyline has had quite a few parallels, and I quite enjoy them. Ned/Jon and Roose/Ramsay, the scene where Roose tells Ramsay about his mother with the Shireen-Stannis scene. Yes, but where did that story go? Nowhere. We started with the assumption that Ramsay would fight Stannis to maintain their hold on the North, and we ended on that point of Ramsay agreeing to something that was obviously an already a foregone conclusion. The only parts of Winterfell that really moved in all 18 minutes of that story were: The introduction of Chekov's candle Sansa being introduced to the existence of Theon Theon telling Sansa he killed her brothers. Introduction of Myranda as more than just a background character. Winterfell for the episode was about 70% filler. You might have liked the interactions, but they didn't serve the purpose of good storytelling. There are ways to intertwine the two together so we have interesting interactions but also drive the plot. That's what good writing is. Except that all four of the things you listed out that you felt were filler are most likely setup for the last couple of episodes and the result of Sansa's entire story arc going there in the first place. It has to lead somewhere ... Either to the wall (Jon), to Stannis, to Brienne, or all of the above in some form or another to tie all the stories together. Even if it's left in a cliff-hanger at the season finale, it's done via those stories and Sansa's heavy involvement rather than her staying in the Vale like in the books.
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Post by Deleted on May 13, 2015 19:30:41 GMT
I disagree that plot has to be intwined with interactions. I think scenes that help develop characters solely are worth it, and that you are putting forward a rather narrow view of what makes "good storytelling". Any plot that happens in the future will be utterly meaningless if Sansa doesn't even get to know the characters in Winterfell first.
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Post by Deleted on May 13, 2015 19:44:26 GMT
I disagree that plot has to be intwined with interactions. I think scenes that help develop characters solely are worth it, and that you are putting forward a rather narrow view of what makes "good storytelling". Any plot that happens in the future will be utterly meaningless if Sansa doesn't even get to know the characters in Winterfell first. I agree with this. Scenes which serve no purpose other than to develop characters are not wasted, especially when those developments are meaningful and will have implications for when the plot does move forward. It's wholly irrelevant shit like MissandeixGrey Worm that is wasteful. What have we learned from those? That Missandei wants a shag and that Grey Worm is in love with someone he can't shag. I would take an entire episode of slow-burning Winterfell scenes than anymore of that.
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Post by AdmiralKyrd on May 13, 2015 19:44:31 GMT
Except that all four of the things you listed out that you felt were filler are most likely setup for the last couple of episodes and the result of Sansa's entire story arc going there in the first place. It has to lead somewhere ... Either to the wall (Jon), to Stannis, to Brienne, or all of the above in some form or another to tie all the stories together. Even if it's left in a cliff-hanger at the season finale, it's done via those stories and Sansa's heavy involvement rather than her staying in the Vale like in the books. The four things I listed are not filler, those are the four things that actually do serve the story. I disagree that plot has to be intwined with interactions. I think scenes that help develop characters solely are worth it, and that you are putting forward a rather narrow view of what makes "good storytelling". Any plot that happens in the future will be utterly meaningless if Sansa doesn't even get to know the characters in Winterfell first. That's not a narrow view, it's the crux of storytelling. That's what a story is. A story is not just two people interacting that doesn't serve to drive the plot. That is what is called filler.
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Post by Deleted on May 13, 2015 19:49:28 GMT
There are quite a few stories that are essentially nothing but two people talking. Some stories have no real plot at all.
All a story is, is an event or events that are conveyed in words and/or images. That's it. Me telling someone about eating dinner is a story.
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Post by Deleted on May 13, 2015 19:50:44 GMT
Except that all four of the things you listed out that you felt were filler are most likely setup for the last couple of episodes and the result of Sansa's entire story arc going there in the first place. It has to lead somewhere ... Either to the wall (Jon), to Stannis, to Brienne, or all of the above in some form or another to tie all the stories together. Even if it's left in a cliff-hanger at the season finale, it's done via those stories and Sansa's heavy involvement rather than her staying in the Vale like in the books. The four things I listed are not filler, those are the four things that actually do serve the story. I disagree that plot has to be intwined with interactions. I think scenes that help develop characters solely are worth it, and that you are putting forward a rather narrow view of what makes "good storytelling". Any plot that happens in the future will be utterly meaningless if Sansa doesn't even get to know the characters in Winterfell first. That's not a narrow view, it's the crux of storytelling. That's what a story is. A story is not just two people interacting that doesn't serve to drive the plot. That is what is called filler. Well then I guess I fail to see your complaint. There can't be all those good story bits and yet it's "70% filler" which is just your opinion anyways. Enough people think it's worthwhile contribution to furthering the story for Sansa, Theon, Ramsay, Roose, Brienne, Pod, Jon, Stannis, Melisandre ... etc etc. That's a big list of main characters who all benefit from the Winterfell combined story arc. Not filler.
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Post by Nezzer on May 13, 2015 19:52:39 GMT
Except that all four of the things you listed out that you felt were filler are most likely setup for the last couple of episodes and the result of Sansa's entire story arc going there in the first place. It has to lead somewhere ... Either to the wall (Jon), to Stannis, to Brienne, or all of the above in some form or another to tie all the stories together. Even if it's left in a cliff-hanger at the season finale, it's done via those stories and Sansa's heavy involvement rather than her staying in the Vale like in the books. The four things I listed are not filler, those are the four things that actually do serve the story. I disagree that plot has to be intwined with interactions. I think scenes that help develop characters solely are worth it, and that you are putting forward a rather narrow view of what makes "good storytelling". Any plot that happens in the future will be utterly meaningless if Sansa doesn't even get to know the characters in Winterfell first. That's not a narrow view, it's the crux of storytelling. That's what a story is. A story is not just two people interacting that doesn't serve to drive the plot. That is what is called filler. Character development scenes are just as important as plot development ones.
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Post by AdmiralKyrd on May 13, 2015 20:14:07 GMT
Character development scenes are just as important as plot development ones. With the exception of Myranda as fleshing her out more (heh), these characters have all been around for three, four, or five seasons. They don't need development, what needs development is their interactions. But who were the two characters that interacted the most? Ramsay and Roose - two characters whose relationship was established very well several times last season and once again very well earlier this season. The character whose interactions needed to be established was Sansa, but she just kind of sat still and watched Ramsay play his games and Roose have a go at him. The only person she really interacted was Myranda, which ultimately came off as just... weird.
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Post by Nezzer on May 13, 2015 21:03:27 GMT
Character development scenes are just as important as plot development ones. With the exception of Myranda as fleshing her out more (heh), these characters have all been around for three, four, or five seasons. They don't need development, what needs development is their interactions. But who were the two characters that interacted the most? Ramsay and Roose - two characters whose relationship was established very well several times last season and once again very well earlier this season. The character whose interactions needed to be established was Sansa, but she just kind of sat still and watched Ramsay play his games and Roose have a go at him. The only person she really interacted was Myranda, which ultimately came off as just... weird. I disagree. Those scenes established Ramsay's backstory, revealed Roose to big as much as a sick fuck as his son and also presented a new threat to Ramsay that is Walda's baby, possibly creating some future tension inside the Bolton household. It also served the plot as a set up to some developments, especially related to Theon and Sansa.
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sj4iy
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"Et tu, Brute?"
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Post by sj4iy on May 14, 2015 14:10:32 GMT
Okay, the idea that we don't need 'character development' for characters who have been on the show since season 1 is ludicrous. The characters are changing as events around them shape their thoughts and actions...of course they need development. If the characters never changed, then that would be terrible storytelling. Jon Snow of season 1 is very, VERY different from the Jon Snow of season 5. Same with all of our main characters. And without those character development scenes, we would never understand why their actions differ from what they did before. Season 1 Jon Snow would never have executed a man begging for mercy. Season 1 Arya would have never murdered a man in cold blood. Season 1 Sansa would have never greeted Lord Bolton with courtesy.
Character development matters just as much, if not more than, plot development. Yes, it's bad when there's too much, but it's just as bad (or worse) to have too little.
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Post by Deleted on May 14, 2015 14:16:29 GMT
The Bolton's storyline has had quite a few parallels, and I quite enjoy them. Ned/Jon and Roose/Ramsay, the scene where Roose tells Ramsay about his mother with the Shireen-Stannis scene. Yes, but where did that story go? Nowhere. We started with the assumption that Ramsay would fight Stannis to maintain their hold on the North, and we ended on that point of Ramsay agreeing to something that was obviously an already a foregone conclusion. The only parts of Winterfell that really moved in all 18 minutes of that story were: The introduction of Chekov's candle Sansa being introduced to the existence of Theon Theon telling Sansa he killed her brothers. Introduction of Myranda as more than just a background character. Winterfell for the episode was about 70% filler. You might have liked the interactions, but they didn't serve the purpose of good storytelling. There are ways to intertwine the two together so we have interesting interactions but also drive the plot. That's what good writing is. Do you mean Roose telling Ramsay the story about his mother was filler? Huh?
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Post by freypies on May 14, 2015 14:17:26 GMT
Sorry, I often have difficulty reading tone on the internet. Also, people have actually made that argument seriously over at Censeros Which is funny, since Myranda's jealousy of Sansa is just as understandable (albeit it's on a smaller scale) than Cersei's of Margaery. Those complaints by them are just for the sake of complaining imo.
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Post by Deleted on May 14, 2015 14:17:51 GMT
Season 1 Sansa would have never greeted Lord Bolton with courtesy. Yes she would, because Roose is his father's bannerman and Ned would tell her to do so.
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Post by AdmiralKyrd on May 14, 2015 15:07:34 GMT
Do you mean Roose telling Ramsay the story about his mother was filler? Huh? It depends. It's very complicated and there is a lot we don't know. Before I didn't expect the possibility that the Freys were coming North, which alters my thoughts on the situation. If Walda's baby causes the Freys to come up to fight Stannis for Walder's grandchild, then this is a very good reason for their sudden appearance. Ramsay being jealous would also a natural byproduct of this which needs to be shown, and Roose becalming him with his ...lovely tale of Ramsay's mother serves a purpose. However, if the Freys don't come North then Walda's baby only serves to drive Ramsay jealous so we can get this story of Ramsay's mother, then it's an all inclusive circular point in a show jampacked for time that just becomes just filler material because it wouldn't change the Roose-Ramsay dynamic from where the episode began. It is good getting more backstory on Roose, and developing him more for the audience to understand who he is, but the question remains at what cost? Like I posted before with regards to the Sand Snakes, their entire development was left out. We don't actually get much development of Sansa learning to control Ramsay - which is probably going to happen. She simply comes off as being very passive-aggressive in this dinner scene and I'm not sure what she learns other than Ramsay is an bizarre enigma. I never said anything about hating character development. What I question is the show's use of time on certain elements in lieu of others. No one in the audience really knows what's the best use of time because we don't know what is coming and how it will look and feel when we get there. The Tyrion/Tywin scene that this has many parallels with, where Tywin says he refused to drown Tyrion in the sea because he's a Lannister, ultimately comes back around because it drives a rift further between them, Tyrion walks out, and Tyrion eventually kills Tywin over many factors. If certain theories also hold true this scene even more meaning. I believe how you develop characters right now should drive the story forward. Ramsay and Roose were both on Team Bolton before this episode, and at the conclusion of Winterfell in 5.05 Ramsay... agreed to stay in the same spot and defend their hold on the North. Nothing really changed between their dynamic or developed their relationship except informing the audience more about Roose. But if this is all part of a larger tie in with other things then it fits into a neat little package. It all depends.
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Post by Deleted on May 14, 2015 15:40:13 GMT
We don't actually get much development of Sansa learning to control Ramsay - which is probably going to happen. I agreed with some of other things in your post, but this: I don't think she'll learn to control him. Ramsay will abuse her in the wedding and after it, until Roose goes to tell him not to. After that there is only few episodes before Theon helps her escape.
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Post by kingeomer on May 15, 2015 12:50:51 GMT
We don't actually get much development of Sansa learning to control Ramsay - which is probably going to happen. I agreed with some of other things in your post, but this: I don't think she'll learn to control him. Ramsay will abuse her in the wedding and after it, until Roose goes to tell him not to. After that there is only few episodes before Theon helps her escape. I have a feeling that this is exactly what will happen with Sansa this season. Just basically Ramsey going a little further with her than Joffrey ever had.
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Post by Deleted on May 16, 2015 15:36:37 GMT
I'm getting serious Deja Vu with folks throwing around definitions of 'filler material.'
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Post by Deleted on May 16, 2015 15:39:23 GMT
Filler Material = Anything that isn't in the books that I don't like
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Post by archiechvyalthan on May 16, 2015 19:49:49 GMT
9.4, so a very high 9.
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